February 14, 1991

A strong collection of ballads and dance tracks.

February 22, 1991

Every song is such a radio-ready hit single that this talented young vocalist is limited to working withihn the narrow margins of the pop format, a format which ultimately prevents this album from being an artistic success as well.

April 7, 1991

She isn't charting new territory.

April 21, 1991

Even the most frankly commercial material here beats the stuff [Whitney] Houston's been singing lately, and there's no denying Dion's voice.

April 30, 1991

Dion has a phenomenally good voice and superb sense of rhythm, the album is extremely well-crafted, and yet the deliberate nature of the songwriting makes it all somewhat predictable.

January 23, 1992

Good, but hardly essential.

January 30, 1992

There's no doubt this album will disappear in the anglophone world but it's deserving of twice the acclaim of her best-selling album "Unison" because simply it's twice as good.

March 28, 1992

For people who like their music for soothing rather than grooving, they couldn't find a more perfect album.

April 5, 1992

Her advisors seem hell bent on burying all semblance of her individuality in their quest to sell zillions of records on her supple and athletic voice.

April 6, 1992

Her embroidery of this MOR fodder is interesting and dramatic, at least for the first few listens, you can ignore the banality of the material and the tendency of her producers to drown her voice in strings.