What Reviews Said About Janet Jackson's 'Control' Album in 1986
- Critic Archive
- Apr 5
- 3 min read
See how critics rated the album when it was first released
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We went through newspaper and magazine archives from 1986 to see how critics originally rated Janet Jackson's "Control" album. To do so, we organized the reviews on an ascending scale from 1–5 by using the original reviewer score or substituting for one based on the critic's enthusiasm for the album. For more information, see our formula here.
Scores Pie Chart
Level 5 Reviews
These critics loved the album.
New York Post |
Tennessean |
Level 4 Reviews
These critics liked the album.
Level 3 Reviews
These critics neither liked nor disliked the album.
Level 2 Reviews
These critics disliked the album.
Level 1 Reviews
These critics hated the album.
Track-by-Track Commentary
How each track was commented on. This is about critical commentary, not just descriptions of the song.
Control
A poppin' electronic-boogie number, reminiscent of the funky pulsations that dominated Rebbie Jackson's hit "Centipede." (Carl Matthews, Dawn Magazine)
Creates good vibes as piano rhythms counter a synthesized bass line. (Jon Bream, Minneapolis Star and Tribune)
Nasty
Her sweet voice is surprisingly spunky. (Diana Valois, Morning Call)
Spunky. (Ron Rollins, Wichita Falls News)
What Have You Done for Me Lately
Catchy (Prentis Rogers, Atlanta Journal-Constitution)
Shows the stamp of producers Jam and Lewis in its spare rhythm track, reinforcing the feisty choral hook. (Billboard)
Sounds like a rhythm track borrowed from a Prince album. (Larry Kelp, Tribune)
You Can Be Mine
The Pleasure Principle
Smooth. (Ron Rollins, Wichita Falls News)
When I Think of You
A pleasing, subtle middle-of-the-road arrangement. (Jon Bream, Minneapolis Star and Tribune)
He Doesn't Know I'm Alive
Lets' Wait Awhile
Sultry. (Ron Rollins, Wichita Falls News)
Tastefully arranged. (Prentis Rogers, Atlanta Journal-Constitution)
Funny How Times Flies (When You're Having Fun)
A jazzy, sophisticated pillow-talk love song in French and English that evokes Sade gone electric. (Jon Bream, Minneapolis Star and Tribune)
She purrs in seductive contentment. (Diana Valois, Morning Call).
Tastefully arranged. (Prentis Rogers, Atlanta Journal-Constitution)
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